Designing with lots of vintage and a little new. You like?
The Designers Notebook is a blog produced by the Randy Franks Studio. It is dedicated to spotlighting all aspects of creative and smart design.
Friday, December 17, 2010
Thursday, December 16, 2010
Sunday, December 12, 2010
Monday, November 29, 2010
Wednesday, November 24, 2010
Sunday, October 31, 2010
Tuesday, October 12, 2010
The labyrinth of tunnels beneath Waterloo station in London will be converted into a large-scale evocation of Dante's Inferno this October. Visitors will explore a unique interpretation of the nine circles of hell through the vision of Lazarides artists plus additional contributions from outside the normal roster including: Conor Harrington, Vhils, George Osodi, Antony Micallef, Doug Foster, Todd James, Paul Insect, Mark Jenkins, Boogie, Ian Francis, Polly Morgan, Jonathan Yeo, Zak Ové and many more ... Interaction with the works will be encouraged as part of this multi-sensory experience.
Hell's Half Acre will be open for viewing from 12th to 17th October, 6pm till 11pm Tuesday to Thursday, with extended hours over the weekend. Entry to the exhibition will be free, but as space is limited you will need to book ahead.
Saturday, October 9, 2010
Go to Hell
"In the hot, expansive Karakum desert in Turkmenistan, near the 350 person village of Derweze, is a hole 328 feet wide that has been on fire, continuously, for 38 years. Known as the Darvaza Gas Crater or the "Gates of Hell" by locals, the crater can be seen glowing for miles around.
The hole is the outcome not of nature but of an industrial accident. In 1971 a Soviet drilling rig accidentally punched into a massive underground natural gas cavern, causing the ground to collapse and the entire drilling rig to fall in. Having punctured a pocket of gas, poisonous fumes began leaking from the hole at an alarming rate. To head off a potential environmental catastrophe, the Soviets set the hole alight. The crater hasn't stopped burning since."
Wednesday, October 6, 2010
Wednesday, September 22, 2010
Tuesday, September 7, 2010
Friday, September 3, 2010
They walk
American firm Choi + Shine Architects designed these conceptual electricity pylons shaped like human figures to march across the Icelandic landscape.
The 30-metre tall statues would be supported on concrete footings and are an alteration of the steel frame used by existing pylons.
This design transforms mundane electrical pylons into statues on the Icelandic landscape.
Making only minor alterations to well established steel-framed tower design, we have created a series of towers that are powerful, solemn and variable. These iconic pylon-figures will become monuments in the landscape. Seeing the pylon- figures will become an unforgettable experience, elevating the towers to something more than merely a functional design of necessity.
The pylon-figures can be configured to respond to their environment with appropriate gestures. As the carried electrical lines ascend a hill, the pylon-figures change posture, imitating a climbing person. Over long spans, the pylon-figure stretches to gain increased height, crouches for increased strength or strains under the weight of the wires.
In addition, the pylon-figures can also be arranged to create a sense of place through deliberate expression. Subtle alterations in the hands and head combined with repositioning of the main body parts in the x, y and z-axis, allow for a rich variety of expressions. The pylon-figures can be placed in pairs, walking in the same direction or opposite directions, glancing at each other as they pass by or kneeling respectively, head bowed at a town.
Despite the large number of possible forms, each pylon-figure is made from the same major assembled parts (torso, fore arm, upper leg, hand etc.) and uses a library of pre-assembled joints between these parts to create the pylon-figures’ appearance. This design allows for many variations in form and height while the pylon-figures’ cost is kept low through identical production, simple assembly and construction.
The pylon-figures are designed to provide supports for the conductors, ground wires and other cables all within required clearances. These clearances are maintained in the various shown positions. The towers are largely self-supporting, sitting on concrete footings, perhaps with the addition of guy wires, depending on requirements of the loading wires.
Like the statues of Easter Island, it is envisioned that these one hundred and fifty foot tall, modern caryatids will take on a quiet authority, belonging to their landscape yet serving the people, silently transporting electricity across all terrain, day and night, sunshine or snow.
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